It's a fascinating time for metal veterans, and John Bush is certainly riding a wave of nostalgia and creative energy. Recently, he treated fans to a series of U.S. shows that delved deep into his era with Anthrax, a period that produced some truly iconic albums. What makes this particularly interesting is how he's not just dusting off old hits, but breathing new life into them with his current band, Category 7, as his backing musicians. Personally, I think this approach is brilliant; it’s a way to honor the past while showcasing present-day talent and musical chemistry.
Bush himself has expressed a strong desire to bring these Anthrax-era performances to Europe, a sentiment I completely understand. Having toured the continent extensively during those formative years, it would feel incomplete not to revisit those songs on European soil. While nothing is concrete yet, his openness to it suggests a genuine yearning to connect with those fans again. From my perspective, these kinds of tours are more than just concerts; they're a form of musical archaeology, unearthing cherished memories for both the artist and the audience.
The experience of revisiting these songs, even those rarely played live, seems to have been remarkably smooth for Bush. He mentioned how the lyrics and melodies just "came back" to him, which, in my opinion, speaks volumes about the impact and memorability of that music. The anecdote about playing "Strap It On" specifically for a relentless fan, a song Anthrax never performed live, is a perfect illustration of the unique joy and surprise these shows can offer. It’s that kind of deep cut, that unexpected gem, that truly delights the hardcore fans and shows a real appreciation for the entire body of work.
Beyond the Anthrax celebrations, the future of Category 7 is also on the horizon. Bush confirmed plans for a second album, aiming to solidify the band's identity beyond a "one and done" project. What makes this particularly noteworthy is his deliberate pace. He's taking time to recharge after working on the Armored Saint record, ensuring he's not just rehashing ideas. This thoughtful approach, in my opinion, is crucial for creating fresh, compelling music. It’s easy for artists to fall into a creative rut, especially when revisiting past glories, but Bush seems committed to genuine artistic progression.
The history of Anthrax itself is a complex tapestry, woven with multiple vocalists and shifting lineups. Scott Ian and Charlie Benante stand as the constants, anchoring the band through its many iterations. Reflecting on the vocalists who have fronted Anthrax – Neil Turbin, Joey Belladonna, John Bush, and Dan Nelson – highlights the band's enduring ability to adapt and evolve. Each era brought a distinct flavor, and Bush's tenure is undeniably a significant chapter, marked by albums like "Sound Of White Noise" and "We've Come For You All." What many people don't realize is the sheer resilience and adaptability required to maintain relevance in the music industry for so long, a trait Anthrax has demonstrated time and again.
Ultimately, John Bush's current endeavors represent a beautiful synergy of past and present. He's not just a custodian of Anthrax's legacy; he's an active participant in creating new musical chapters with Category 7. This dual focus, I believe, is what makes his journey so compelling. It’s a testament to his enduring passion for heavy music and his desire to connect with fans on multiple levels. The thought of him gracing European stages with those classic Anthrax anthems, backed by the formidable Category 7, is a prospect that has me genuinely excited for what's to come.
